Vocal Style And Influences
La Toya Jackson has a three-octave vocal range reaching up to E6 in her single, “Bet’cha Gonna Need My Lovin’.”The Evening Independent says that she has an “attractive, pleasant voice that is matured and controlled.” Andrew Hamilton of AllMusic describes her voice as a light, wispy “sexy whisper”. Like her siblings, Michael and Janet, she is mainly a pop, R& B, and dance music performer but she has also dabbled in rock as heard in her song, “No More Drama” and reggae in her signature song “Heart Don’t Lie“, as well as country music.
Like many other Jacksons, most notably Michael, she cites James Brown as a “major influence”. When Jackson headlined the Moulin Rouge she paid homage to La Goulue and cited Josephine Baker as an influence. L’Express hailed Jackson as “the new Josephine Baker.” According to academic Bennetta Jules-Rosette, “Through careful planning, she was able to model a successful part of her career abroad on the master tropes of a Baker-like image. Jackson exemplifies Baudrillard‘s notion that neither the message nor the content count as much as the referentiality of the signifier in postmodern performative discourse.”
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Present: Reality Television And Starting Over
In 2010, Jackson launched Dream Cream, a hand cream for German cosmetics firm Alessandro International, and named Teddy Riley head of Ja-Tail Records’ music division. Jackson took part in NBC’s Celebrity Apprentice, which aired from March through May 2011 and raised $65,000 for her chosen charity, AIDS Project Los Angeles. La Toya was “fired” from Celebrity Apprentice in episode 8 during season 11, which aired on April 24, 2011 on NBC. In an Apprentice first, Jackson was rehired in the following episode, as she felt she couldn’t defend her case. La Toya was fired for the second time on May 8, 2011 and became the first person to be fired from The Apprentice twice within the same season. She was also the first guest judge to appear in two episodes of season three of RuPaul’s Drag Race. She also served as guest judge on the 17th season of America’s Next Top Model. Jackson’s second memoir, Starting Over, was released in the United States on June 21, 2011 through Gallery Books, an imprint of Simon & Schuster. An EP, also called Starting Over, was released the same day via digital outlets.
Currently, she and Jeffre are also the executive producers of a documentary called “Dancing in Jaffa” which follows 150 young Jewish and Palestinian Israelis as they dance together in unity by putting their cultural differences aside.
In 2016, she collaborated with Iranian-Armenian pop star Andy on the single “Tehran” where she sings in Persian.
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Early Life And The Jacksons
Born on her sister Rebbie‘s 6th birthday on May 29, 1956 at St Mary’s Mercy Hospital in Gary, Indiana, La Toya Jackson is the fifth of ten children born to Joe and Katherine Jackson and the middle female child between Rebbie and . Growing up, La Toya tended to be shy. After her mother became a member of the Jehovah’s Witnesses in 1965, La Toya, along with the rest of her siblings followed. She would spend some of her time alongside her mother preaching door-to-door. “Every morning, Michael and I witnessed, knocking on doors around Los Angeles, spreading the word of Jehovah.” By 1972, at sixteen, La Toya joined her brothers in the spotlight with a tap dancing routine when her father arranged for them to perform shows in Las Vegas, among other cities. La Toya attended the Cal-Prep school in Encino, Los Angeles, CA and graduated in 1974. Jackson aspired to be an attorney specializing in business law. She attended college for a short time before her father insisted that she pursue a career in show business like the rest of the family.
Under Joe Jackson’s tutelage Rebbie, La Toya and Janet formed a short-lived musical group. However, they never performed live and soon separated because of creative differences about the act’s future direction. Consequently, no related material was ever released by the trio. The next year, La Toya began work on her first solo album.
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Building Height Limits: 19041957
The first height limit ordinance in Los Angeles was enacted following the completion of the 13-story Continental Building, located at the southeast corner of Fourth and Spring streets. The purpose of the height limit was to limit the density of the city. There was great hostility to skyscrapers in many cities in these years, mainly due to the congestion they could bring to the streets, and height limit ordinances were a common way of dealing with the problem. In 1911, the city passed an updated height limit ordinance, establishing a specific limit of 150 feet . Exceptions were granted for decorative towers such as those later built on the Eastern Columbia Building and United Artists Theatre, as well as the now-demolished Richfield Tower.
The 1911 ordinance was repealed in 1957. The first private building to exceed the old limit was the 18-story United California Bank Building, located at the southeast corner of Sixth and Spring streets.
Spanish And Mexican Era
Father Juan Crespí, a Spanish Franciscan missionary charged with exploring sites for Catholicmissions in California, noted in 1769 that the region had “all the requisites for a large settlement”. On September 4, 1781, Los Angeles was founded by a group of settlers who trekked north from present-day Mexico. Like most urban centers in the Spanish Empire, the town grew in a grid-like street patern around a central plaza which faced the first church. The area passed to American control in 1847, and the small town grew to 11,000 by 1880, The business district was centered along Main Street between the Plaza and First Street.
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Heart Don’t Lie And International Success
1984 saw the release of Jackson’s critically acclaimed album Heart Don’t Lie. Jackson scored her biggest Billboard Hot 100 hit with the title track, which peaked at number 56. Other singles from this album were “Bet’cha Gonna Need My Lovin’“, “Hot Potato“, and a cover of Prince’s “Private Joy.” Jackson and Amir Bayyan co-wrote “Reggae Nights” for Heart Don’t Lie but the track did not make the cut. Jimmy Cliff‘s recording of the song was a hit and was nominated for a Grammy. Cliff commissioned Jackson to write two more songs: “Brown Eyes” and “American Sweet.”
In 1984, Jackson capitalized on her rising popularity by licensing her name to a fashion line “David Laurenz for La Toya.” According to her three-year contract with the suede and leather-maker Jackson agreed to only wear David Laurenz items during her public appearances. Apparel in the collection included Jackson’s signature leather headbands. Jackson starred in television and print advertisements for Nikon cameras and the following year she became the spokesmodel for cosmetics firm Mahogany Image and launched her own eponymous fragrance, La Toya.
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Beginning Of Solo Career
In 1980, Jackson released her self-titled debut album. In order to distinguish herself from her famous brothers, The Jacksons, La Toya only wanted her first name on the album. “I begged just to have it ‘La Toya’. But my father said, ‘It’s your last name. You got to use it.’ But I wanted to see what I could do as an individual.” The first single “If You Feel the Funk“, became a modest hit, climbing into the Top 40 of the US R& B chart. Her second single, “Night Time Lover“, was produced by younger brother Michael, who provided backing vocals and co-wrote the song with La Toya. In turn, she provided the opening scream on her brothers’, The Jacksons, 1980 hit, “This Place Hotel” as well as backing vocals on brother Michael’s 1983 solo hit “P.Y.T. “.
The La Toya Jackson album peaked at #116 on the US Billboard 200, #26 on the BillboardR& B album chart, and #178 on the UK Top 200, making it her highest placing album.
In 1981, Jackson released a follow-up album, My Special Love, which generated two singles, “Stay the Night” and “I Don’t Want You to Go“.
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Public Notoriety Abuse And Exile From The Jackson Family
On September 5, 1989, after her Sizzling Spectacular concert in Nevada, Gordon and Jackson were married. Jackson later claimed she had been forcibly married, with Gordon claiming it was for her own protection against kidnapping by her family. La Toya Jackson states that this was both unplanned and against her wishes. According to Jackson, “I told him, ‘No way, Jack! I can’t marry you. You know what marriage means to me. I’ve never been in love I don’t even date… It’s not right. I don’t love you. I don’t have feelings for you.'” Jackson told Ebony magazine the marriage was “strictly in name only. It has never been consummated.” Six months into the marriage, Jackson asked Gordon for an annulment when in Rome, Italy. In response, Gordon repeatedly bashed her head against the corner of the hotel room table saying that he would never let her go. Paparazzi subsequently photographed Jackson with black eyes, which Gordon claimed were caused by an intruder. From this point forward, Jackson lost all contact with her family and wrote an autobiography, La Toya: Growing Up in the Jackson Family, which accused her father of physical abuse.
In October 1992, while taping an Exotic Club Tour in Minneapolis Jackson approached sister , also in town recording her fifth studio album with Jimmy Jam and Terry Lewis, to ask for help in escaping Gordon. Janet struck La Toya, accusing her elder sister of recording their conversation.
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